The reason behind writing this headline is because of the climax. It does not happen in the routine fashion. For so much of care and affection it is finally ‘Mosa’ for Maada. Yet the lovely looking Manasi is memorable through her variety of performance.

This second half commendable director Satish Pradhan is a male biter it seems. In his previous film also he was woman centric (Thippajji Circle) and in this film ‘Madha Mathu Manasi’ his dilly dallying is prolonging but attention gets on top order in the second half. What is that ink pen he has given to heroine Shruthi Hariharan to write a letter when she was blind and our hero reads in lashing rain! Satish Pradhan has been negligent in some other cases yet his ability to capture attention is not questionable.

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Manohar. R.(Manu),
chitrataramanu@gmail.com
Photo Journalist
M: 9845549026